Samuel Palmer
1805-1881 British Samuel Palmer Galleries English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.
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Samuel Palmer landscape with repose of the holy family oil painting


landscape with repose of the holy family
mk247 1825,oil and tempera on panel ,12.25x15.375 in,31x39 cm,ashmolean museum,oxford,uk
Painting ID::  56197 		Samuel Palmer
landscape with repose of the holy family
mk247 1825,oil and tempera on panel ,12.25x15.375 in,31x39 cm,ashmolean museum,oxford,uk
   
   
     
Samuel Palmer Self-Portrait oil painting


Self-Portrait
1825 Black chalk heightened with white on buff paper, 291 x 229 mm Ashmolean Museum, Oxford This extraordinary self-portrait the artist drew around 1825, with hollow and haunted eyes, seems an attempt to understand the processes at work within him and projected on to the pages of his sketchbooks. Author: PALMER, Samuel Title: Self-Portrait Form: graphics , 1801-1850 , English , portrait
Painting ID::  62448 		Samuel Palmer
Self-Portrait
1825 Black chalk heightened with white on buff paper, 291 x 229 mm Ashmolean Museum, Oxford This extraordinary self-portrait the artist drew around 1825, with hollow and haunted eyes, seems an attempt to understand the processes at work within him and projected on to the pages of his sketchbooks. Author: PALMER, Samuel Title: Self-Portrait Form: graphics , 1801-1850 , English , portrait
   
   
     
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     Samuel Palmer
     1805-1881 British Samuel Palmer Galleries English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.

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